The Department of ENWL is continuing our Taylor Swift era this week with Taylor’s fourth album RED and fifth album 1989.
RED (2012; Taylor’s Version 2021) leans into an aesthetic that has become known as “sad girl Autumn,” evoking tumultuous reckonings with breaking up, growing up, and moving on. Top tracks from RED include “I Knew You Were Trouble When You Walked In,” “22,” and “We Are Never Ever Getting Back Together.” Some of these more vibrant tracks tend to outshine some of the gentler tracks that reveal the hidden artistry of Taylor’s lyricism, including the track “All Too Well,” that draws heavy influence from Chilean poet Pablo Neruda.
1989 (2014; Taylor’s Version 2021) on the other hand is a beachy album crafted for late summer listening featuring vibes that are equal part wistfully nostalgic and longingly dreamy. Top tracks from 1989 include “Blank Space,” “Bad Blood,” and “Wildest Dreams” from the Deluxe version which went viral on TikTok in 2021.
You may be in your RED era too if you:
- Are always ready to analyze
- Enjoy movies that re longer than 2 hours
- Favorite movie is one most people have never heard of
- Are a member of Film Club
- Constantly change your Letterboxd top four favorites
You may be in your 1989 era too if you:
- Are always on the go
- Take crazy detailed notes
- Stay out too late
- Love to be transported by what you read
- Are a member of Ville AAUW
Faculty In Their RED and 1989 Eras
Dr. Antolin is in his RED era because of his extensive work with the Chilean poet Pablo Neruda, who Taylor draws great inspiration from for this album. Taylor’s songs “Red” and “All Too Well” reflect his influence particularly from the poem “Tonight I Can Write (The Saddest Lines).” You can read a translation of the poem here.
Fun fact: Dr. Antolin is also a musician! He plays the classical guitar.
Dr. Corkery is in his 1989 era because of the unexpected connection between hip-hop and Taylor Swift on 1989. Artist Kendrick Lamar is featured on the song “Bad Blood,” and in Dr. Corkery’s literature and hip-hop course, students are able to learn more about the history of rap music and why it is an important part of our culture.
Both RED and 1989 have some unexpected ENWL connections. Red features Taylor’s first mini-film for the song “All Too Well” following the tale of jilted lovers. The fall aesthetics and whirlwind affair has a similar vibe to the classic romcom When Harry Met Sally. At one point, Harry even wears a red scarf – maybe he also stole it from an ex;) On 1989, Taylor features references to Lewis Carroll’s 1865 novel Alice’s Adventures in Wonderland within her song “Wonderland.” Some lyrics that pay direct homage include “fell down a rabbit hole” and “with a Cheshire Cat smile.” She also references the classic 1850 novel The Scarlet Letter in her song “New Romantics” with the lyric “we show off, our different scarlet letters, trust me mine is better.”
You don’t have to wait to see us in your “Wildest Dreams,” follow us on Instagram and Facebook to stay up to date with all our Taylor Swift content:)
Research Corner (Taylor’s Version): Revisiting and Reflecting on Content
While Taylor’s reason for rerecording her albums is to reclaim ownership and divest from her previous record label, her actions speak to a powerful practice in ENWL research and content strategies. Revisiting and reflecting on content is a valuable skill that both reiterates and transforms knowledge. For Taylor, not only do her “Versions” allow her to rectify possession of her voice and content, but they allow her to build on her past creations and even add tracks from her vault. In our research, each week we have new data and content to generate, but taking a moment to revisit our existing content reminds us to share important updates and events to our story. Creating intentional spaces for reflection also gives us the chance to celebrate accomplishments and recognize our growing community. With this in mind, we can fashion achievable goals –including our goal of growing our follower account on Instagram to 200 by the end of the semester (we are currently at 179). While this metric is not a be all end all evaluation of engagement, in our ongoing efforts to understand how the current digital landscape can create opportunities for connection, follower counts represent an aggregate web of accounts we’ve reached and curious individuals who want to interact with us. We hope that increasing our followers will help us share our information and ENWL values with a wider audience, allowing for the formation of meaningful connection.