Tag Archives: editing

Seth Ring Interview: Moving Towards Hope

Full-time fantasy author Seth Ring was able to join us this past week for a Q&A session to meet with students and answer questions about being a writer, building community, and to share insider knowledge about traditional and indie publishing methods. Seth has been publishing since 2018 and in 2021, he became a full-time writer. Now, with 25 books published and more on the way, Seth reflects on what he has learned, the communities he’s helped to build, and the sense of hope that is central to his works.

Seth is a Lit-RPG (Literary role playing game) fantasy author, drawing his stylistic and thematic design from conventions of game theory to shape his world-building and plots. He was initially drawn to this genre because he read a bad Lit-RPG novel and realized – “I can do a better job than this.” Seth leverages his base in Lit-RPG fantasy to expand into various other genres including traditional fantasy, horror, and western (as well as upcoming forays into Regency romance and utopian thriller) drawing inspiration from stories he read as a child that helped him learn to both escape and navigate the world. Seth describes his writing and publishing journey as initially “so much harder than he thought it would be” stating that there was a huge learning curve but that having a firm understanding of what you want, determining “where am I actually trying to go?,” is critical to creating an writing identity that is fulfilling. Whether you are mainly focused on commercial sustainability or artistic expression, Seth reassuringly asserts that “there are a million different ways to become an author.” Seth balances his ideals of writing between practical considerations and artistic sincerity, describing the reality of writing as a career occurring along a “sliding scale of money to craft” because there comes a time when a writer realizes “I wish I could eat this manuscript but I can’t.”

There are pros and cons to publishing on either side of the industry, with traditional publishers being outsold by Indie publishers but Indie publishers won’t put you in a bookstore. Seth cites the internet as a cause for the shifting industry which has “radically changed distribution but introduces some risk.” The internet is rife with pirating and AI copy-cats, but Seth isn’t worried about it mostly because even if someone reads stolen or plagiarized content, if they like it, they will most likely find their way to the source (ie Seth). In fact, this is how Seth gained his top three Patrons on his Patreon, so for Seth “Pirating is not necessarily a net loss because I’m going to keep writing better books.” He also encouraged writers to not be discouraged by the difficulties of modern day publishing, only to keep pressing on and continue writing because the “worst thing you can do as a writer is to stop writing.”

Seth also emphasized that establishing a platform for engagement (like Patreon) is a key resource to building your reputation as an author and establishing a community. While Seth admits that there is an element of luck to growing an online community, he’s also found that consistency, time, and content strategy can make a big impact. For Seth, while the internet does pose some risk, the benefits are worth it because the internet offers a unique way for readers to “engage with the people who wrote the books we love.” This engagement is not only key to Seth’s strategy, but also influences to some extent the works he creates. On a practical level, Seth feels responsible for “carrying those stories forward,” creating a consistent experience for his fans by communicating with them about when to expect updates and new releases. However, on an artistic level, Seth says he has a “strong sense of ownership over all of his stories” and that a “story doesn’t have to go the way they want it to go.” In this way, Seth has built a fan-base of recurring readers, even though some may not always like his works—they keep coming back. Seth recognizes this pattern of readerly interest as something that ebbs and flows; “people enjoy something in a season of their life, not all are going to stay forever, but if they are engaging in a constructive way that’s great.” Ultimately, Seth says if something sticks with the reader after picking up one of his works, he considers it a success because “people need connection” and he feels “I can provide something at least” to help foster those connections.

It is the hope and courage drawn from connections—between characters, their worlds, or even the divine—that are at the core of Seth’s work. Some of Seth’s inspiration for writing is drawn from his own experiences with loneliness and isolation in which stories and the characters in them were his “first gateways to connection” and that “stories have tremendous power to reshape the narrative to what we tell ourselves.” For Seth, stories and later writing itelf were a way out of dark places, offering Seth a means to process the world and find hope and courage to continue moving into the future. His books now carry this purpose forward with the intention that “when we start allowing for connection in our perspective, hope naturally follows.”

Want to read Seth’s work? He recommends starting with Battle Mage Farmer: Book 1 Domestication that he describes as a really fun story and a good introduction to his style of storytelling.

You can read his books by purchasing them on his site (https://sethring.com/ ) or from alternate vendors like Amazon, or by borrowing them from the Lancaster Public Library System. You can even become a Patron (https://www.patreon.com/SethRing ) and get fast access to new chapters as they are released. You can interact with Seth and other fans on Discord (https://discord.com/invite/ygz8wfCECR ), Instagram (https://www.instagram.com/mrsethring/ ), YouTube channel (https://www.youtube.com/@SethRingWrites ), or even email him directly at seth@sethring.com

Made in Millersville Journal Opportunities

Need an internship? Want to get your work published? Check out the Made in Millersville Journal!

The Made in Millersville Journal is an online publication that works to publish student’s presentations from the annual Made in Millersville conference. This conference highlights student research projects and creative works from departments across campus. Students can present a paper, perform poetry, present an art sculpture, discuss a poster, play a musical performance, or anything that fits under the guidelines of the conference.

After noticing the wide variety of research and creativity demonstrated every year at the Made in Millersville Conference, Tatiana Pashkova-Balkenhol and Kerrie Farkas co-founded and co-created the Made in Millersville Journal, a conference proceedings journal for students and by students. Two pilot issues were published in 2015 and 2016 before the first full-fledged publication began in 2017. As of the 2019 edition, the Made in Millersville Journal has published 111 articles across all three colleges and 24 (of 26) departments, and has offered 24 internship positions.

There are two ways students can get involved with the Made in Millersville Journal: work on the editorial board as an intern or employee or publish in the journal as a presenter at the Made in Millersville conference.

Editors: Sara Lipski and Karen Layman (Shaakirah Tate and Daniel Dicker are not pictured) unveiling the current journal issue of the Journal during the 2019 Made in Millersville conference.

There are many reasons why students should intern for the Journal, some of which include gaining professional editing experience as well as building pathways to professional careers after college. Here’s the full list of reasons students should consider this internship opportunity:

  • Gain professional editorial and publishing experience
  • Improve their writing and editing
  • Gain hands-on experience working in a multidisciplinary, team environment
  • Work in a supportive environment that encourages interns to step out of their comfort zones
  • Build pathways between college and their future careers

The application deadline for the editorial board is October 1. Visit the employment/internship flyer for specific qualifications and directions to apply.

Not only can students join the editorial team, but they can publish their work in the Journal. In order to publish in the Journal, students must indicate on their conference application that they are interested in publishing. Here are some reasons student authors should publish in the Journal:

  • Impress future employers with a published writing sample​;
  • Improve their writing and experience a unique, authentic, and personalized publishing process by collaborating with a team of trained student editors; ​
  • Market their scholarly or creative work by being featured in the journal and on our social media platforms;
  • Translate their conference  presentation into an effective and accessible summary for a public audience; and ​
  • Build critical communication skills by working with an editorial team.

The application deadline for the Made in Millersville Conference will be in February.

If you have any questions about the Made in Millersville Journal or just want some more information, visit the FAQ page or email Kerrie Farkas or Tatiana Pashkova-Balkenhol.