Category Archives: Newsletter Articles

Studying and Teaching Abroad: Anthony Freeman

Anthony Freeman graduated in the fall of 2017 with a degree in English, concentrating on linguistics. 

Anthony in May Fourth Square in Qingdao, China

Making it through college can (and should) be difficult. But it’s just one part of a much bigger challenge: finding your path in life. Ideally, your college years will launch you onto that path as you explore your interests, select a major, and work closely with your academic adviser and instructors.

Is that what my years at Millersville did for me? Yes — although in unexpected and surprising ways! During my time at college, and in the past year and a half since I graduated, my path in life has looked less like a straight line and more like the bouncing white square from Pong. But it’s a path that has been incredibly fulfilling, distinctly my own, and which is leading me toward the realization of my academic and professional dreams.

My time at Millersville didn’t start the same way as it did for many other students. In the fall of 2014, I came in as a transfer student at the beginning of my sophomore year. Having lived most of my life five minutes from campus, the drive on my first day lasted just long enough to listen to one inspirational track on my favorite playlist.

I sat down nervously in a classroom in McComsey Hall with other English major transferees. There, Dr. Craven explained the various academic concentrations within Millersville’s English Department that we, as English majors, could study.

I didn’t know it at the time, but that was the beginning of a total shift in my life direction.

One and a half years later, I was receiving another orientation — this time, in a little college classroom in St. Petersburg, Russia. Why Russia? Well, after learning about the variety of concentrations within Millersville’s English program, I’d explored multiple options and finally settled on linguistics. And as I learned how language works, my dormant interest in the Russian language — which I’d briefly studied in high school —  reawakened.

Millersville was able to hook me up with Russian language classes through nearby Franklin & Marshall College. And after quite a few meetings at Millersville’s Office of International Programs and Services, I was ready to spend the spring semester of my junior year in St. Petersburg, Russia, studying language, literature, and Soviet history.

Some memories are like treasures that you perennially love to take out of storage, hold in your hands, and admire. Studying abroad increased my confidence and left me with a trove of memories that remind me why I’m doing what I’m doing. Those months in Russia not only improved my language skills, but also forced me to reexamine my identity. I learned to make decisions independently and think on my feet. I also made friends that I wouldn’t have met otherwise.

Skip ahead to the fall of 2017. I graduated (thanks in large part to my amazing professors) and was now a teacher in a private school, teaching English composition and Russian language to high schoolers. As it turned out, my time abroad was a significant factor in getting the job!

But there’s one more twist to my story: Not long before graduation, I found that my personal reading habits were shifting. One day in the stacks, I picked up a copy of The Columbia Book of Chinese Poetry, translated by Burton Watson. I opened it up to a random page, read a few poems by Tang dynasty poet Wang Wei, and suddenly felt like the sky had opened up.

I haven’t had many epiphanies, but I felt like this was one. I knew a little bit about translation theory, and poetry had always been of interest to me. I had also studied Chinese the year before I got to Millersville. I was soon checking out books on Chinese literary and cultural history, several different translations of the same poems by Du Fu, and an old Chinese 101 textbook.

That was the beginning of another surprising curve in my life’s path. Today, I am a teacher of English as a Foreign Language in Qingdao, China. I’ve tested into upper intermediate Chinese, and I’m loving the job and my students.

The main reason I’m in China is to improve my understanding of Chinese language and culture. My plan is to study comparative literature at the graduate level. This will allow me to continue pursuing my interest in both Russian and Chinese literature, as well as that of the English-speaking world.

None of this would have been possible without faculty and friends telling me that I could dare to chase my dreams, wherever they took me. I’m lucky that I had so many voices in my life telling me that. So now I’ll be that voice for you: Dare to explore your options. Your enthusiasm for learning should know no bounds!

Anthony Freeman

Banned Book Week

This week, September 24th – 28th, the McNairy Library is celebrating Banned Book Week, an annual celebration of the Freedom to Read. All week banned books will be on display by the first floor circulation desk and there will be rotating banned book facts and statistics on the library monitors.

Here is the week’s schedule:

Monday, Wednesday, Thursday: 10-2pm Button Making – Make your own buttons to support the freedom to read (Lobby). Photo booth – Take a selfie and enter to win a gift card.

Tuesday: 12:05-1:10pm Panel Discussion – Join us for a faculty panel discussion on banned books and censorship (Room 104).

For more information about the event at the McNairy Library, contact Dr. Stephanie Pennucci.

Check out the Banned Books Week website to get involved with the national event.

 

Faculty Profile: Professor Sarah D’Stair

English Professor Sarah D’Stair answered some interview questions about her professional work, inspirations, and hobbies. Check them out below!

Where did you go to school for your undergrad/PhD program? What were some of your experiences there?

I received my B.A. and M.A. from San Jose State University in California, and I’m currently finishing out my Ph.D. at the University of Massachusetts, Amherst.  I’m not quite finished with my dissertation yet, but I’m getting there!  I plan to complete the degree this Spring.

Professor D’Stair

When I started my graduate work at UMass, I already had a successful career in textbook publishing, and had also owned my own publishing services business for many years.   I got my M.A. through a tuition assistance program my company offered, so it took some time to get the degree while I worked full time.  Once I decided to pursue a Ph.D., I moved from California to Massachusetts to start a whole new life path.  Graduate school was an exciting change from the corporate world, and it was also the place where I fell in love with teaching.  I remember the first class I taught at UMass – it was also during my first New England winter.  On the first truly cold day, I walked in to class bundled and shivering, wanting nothing more than my space heater from home, unable to stop the feeling that hypothermia would descend upon me at any moment.   I think my students could see the horror in my eyes, could read my mind asking itself, “What have I gotten myself into!?”  Immediately, they let out a collective chuckle.  They assured me, almost in unison, “Don’t worry. You’ll get used to it.”  We all had a big laugh, and I haven’t wanted to leave the classroom since.

My experiences at UMass have been both inspiring and challenging.  I’ve been able to work with so many outstanding and caring professors who have pushed me to excel, both in my own intellectual pursuits and in my interactions with students.  My professors not only taught me the value of rigorous academic engagement, but also the joy of complexity, the beauty of an idea spun in a hundred directions, the satisfaction in taking a thought to its furthest logical conclusion.  What I remember most from my coursework are the endless discussions I would have with my colleagues, conversations that would continue after class in the coffee shop downtown, and then into the evening over dinner.  I’ve met wonderfully talented writers and scholars there, many of whom have become lifelong friends and kindred spirits.

What inspired you to study English and more specifically critical theory?

Central Valley by Sarah D’Stair

A certain picture hangs on my grandmother’s refrigerator – it’s been there for, oh, maybe 30 years or so.  It’s a bit faded, the edges upturned.  It’s of me as a little girl, about 7 or 8, long blond hair in a ponytail, the bright sun lighting the day.  My grandmother had placed an old claw-foot tub in her back yard to be used as a kind of planting bed for flowers.  (Yes, I know it’s strange.)  In the picture, I am sitting atop the dirt packed into that old tub, book in hand, just reading the day away.  I don’t remember that specific picture being taken, but it so perfectly captures my memory of being a kid.  Always a book in hand.  Always sneaking away to read it.

I answer with a description of this picture simply because when I try to think of an answer to the question, “What inspired you to study English?,” I honestly don’t have an answer.  The answer is in that picture.  It’s just what I’ve always loved, always desired, always found myself most happy within.  There was never any question of studying anything else, at least if I wanted to have any kind of a fulfilling life.  I’m so grateful to have had the chance to spend my life so far in pursuit of literature and the arts.  It’s truly the best life I can imagine.

As for critical theory – well, that was a late addition to my list of loves.  The graduate program at UMass is quite theory-heavy.  We had to read a ton of theory, in all different fields.  At first, it was hard.  I kind of hated it, and thought it separated me from the novels and poetry I wanted to explore.  But over time, I realized how much more thoughtful I was becoming as a scholar and as a citizen, how much I began to understand my own perceptive limitations based on identity constructs I take for granted, and I began to see how much more about the novels and poetry I was able to discover because I had a solid theoretical foundation to draw from.  As a person who loves ideas, the complexity of thought and the vibrant intellectual debates that are embedded within theoretical texts became a source of endless fun for me.

Are there any other academic fields that interest you?

Oh yes, all of them.  Except perhaps computer science.  I’m not a fan of computers, really.  But other than that, I wish I could get a degree in everything!  Sometimes I wonder, how would my ideas about, say, Thomas Hardy change if I also was a theoretical physicist?  What a thrilling thing to think about!  Or, how would my understanding of Gertrude Stein’s language change if I was also an expert in Calculus?  Sometimes I want to beg my mathematical friends to teach me, just as an experiment, but then I remember that I’m practically number-illiterate, and I get too bashful to ask.

What are some of your favorite past-times?

Sarah was one of the writers of the narrative video series Honey Halo

I love to watch movies – all kinds of movies, from classic horror to French New Wave to the latest indie productions.  I also love to sing – I’ve been singing with the Lancaster Symphony Chorus for several years.  I love hanging around with my kids, who are super cool and pretty punk rock.  I love walking, and in fact am kind of fascinated with philosophies that consider walking as a political act.   I am also the proverbial cat-lady, and likely spend way too much time preening over my two kitties.  I’m a huge Star Trek: The Next Generation nerd, and am strangely compelled by truly boring British TV shows from the 1970s and 80s.  I also really love reading the minutes of local government meetings.  I’m not sure why.  I think the minutia fascinates me.

What do you like to write about (creatively or professionally)?

My professional writing explores queer women writers from the early twentieth century, mostly in terms of how we might use their work to find more equitable ways to live together on the planet one hundred years later, now as we’re navigating (poorly) the early twenty-first century.  I look at their work via intersections in queer theory, animal studies, and ecocriticism, using these theoretical modes to illustrate how their fiction might offer new ways of thinking about how we all – human and nonhuman animals alike – construct our shared cultures and histories together.

If you were stuck on an island and found three books buried in the sand, what would you want them to be?

This question.  Oh, this question!  It’s impossible to answer, but I will try.  One of them is easy.  I have always said, since I was very young, that if I could only have one book it would be the Norton Anthology of English Literature.  You’d have some medieval mystery plays, some Shakespearean drama, some Romantic poetry, some Virginia Woolf and James Joyce in there, tons and tons of poetry.  It’d be a wonderland.  As for the second book, I think it’d be, as corny as it sounds, a novel my husband wrote called Lucy Jinx.  It’s very, very long – about 1800 pages – and I find so much of myself in Lucy’s paranoia and blind romanticism, and in her overwhelming joy in words and ideas.  I feel that work would keep me busy for ages.  And for the third, maybe a good Patricia Highsmith thriller, like Found in the Street or The Price of Salt.  My imagination goes wild with those books, so I’m thinking that on a deserted island they could be a terrific way to pass the time.

Pen America’s World Voices Festival Update

Karrah Keck is a Public Relations Major at Millersville University who went on the trip to Pen America’s World Voices Festival in NYC with Dr. Jakubiak’s New Dimensions to World Literature Class last semester.

On Thursday, April 19th, 2018 my English class taught by Dr. Jakubiak traveled to New York City to hear a panelist of authors from all over the world speak at a convention called Cry, the Beloved Country. The festival was for Pen America’s World Voices Festival which is centered around bringing together world literature and ideas.

The group of authors we listened to each read a piece of their writings in their own native language to authenticate and appreciate its origins. Every single piece that was read dealt with a conflict that each author’s country experienced and had to endure. For Cry. the Beloved Country there were a total of six authors:

  • Ryszard Krynicki: Poland
  • Serhiy Zhadan: Ukraine
  • Marcos Aguinis: Argentina
  • Ngugi wa Thiang’o: Kenya
  • Hwang Sok-yong: Korea
  • Negar Djavadi: Iran/France

After each had finished, the audience was able to meet the authors and have them sign any works they had written. This was a great time for me and my class. Some of us brought along our book The River Between written by Mr. Ngugi wa Thiang’o that we had read in class and got to not only have him sign our novels but to ask him questions about the book we had discussed so heavily. All of the questions we had about the book he was able to answer. To actually meet an author who had written one of my favorite books we had read all semester was such an amazing experience.

Some of us didn’t have any pieces of literature written by the authors, but that did not stop us from talking to them about their inspirations and experiences. I had four out of the six authors sign my program that I was given so I didn’t go away completely empty handed. Every author I spoke to was so insightful and had such grace to their craft that I could not help but feel inspired when they spoke to me. Discussing literature in a classroom is beneficial but hands down, nothing beats talking to the author that actually wrote it.

Taking this trip was one of my favorite things of my freshman year here at Millersville. I cannot even begin to express how fortunate I feel to have been given the opportunity to go and hear this group of authors speak. It is something I truly will never forget. It opened my knowledge of the world and had me think, truly think about the impact that conflict has on literature and the impact literature has on us as humans. It was a privilege and an honor to be a part of something greater than myself. It’s not only eye opening, it is life impacting. I will forever be grateful that I took advantage of this opportunity and went on this trip of a lifetime.

-Karrah Keck

 

Student Profile: Helen Reinbrecht

Helen Reinbrecht interned at CASA Berks for her internship. Read more about her experiences below! 

As a student working towards a Bachelor’s in English I was required to complete a 120 hour internship. I worked for CASA Berks as a communications and social media intern. CASA stands for Court Appointed Special Advocates and is a national nonprofit that trains volunteers to advocate for children in the foster care system. After starting my internship, I quickly learned that as much as my classes at Millersville University taught me how to write and how to research topics to write about, writing as a profession or as an organization demands more in-depth involvement than any of my classes asked of me.

In order to succeed in my internship, I used my skills as a writer and a researcher. I learned about grants, marketing, fundraising, and the general organization of a nonprofit. I also had to make an effort to learn about services and fields not related to English. I needed to write about children in the foster system and involved with the legal system and the issues these children and families face. I needed to write about these situations so that my readers and social media followers would be able to understand the problems facing these people, what they could do to help, and how CASA Berks was already helping.

To start, I researched statistics on the foster care system. I went to court to learn about dependency hearings, which are proceedings that decide whether children will go into foster care system or, if the children are already in foster care, be returned to their parents. I learned that most parents present at a dependency hearing are not “bad parents” but just about all of them were dealing with mental health and/or a substance abuse problem. So, I researched substance abuse in Pennsylvania to learn more about what is being done and how substance abuse affects children, their parents, and their grandparents.

This is just one example of how my research and knowledge on the subject developed past the original broad issue of foster care. Funding for children and children’s programs is another example of a knowledge rabbit hole or the social issues that can arise after children age out of foster care and what impact that has on the community. In short, no subject is an iceberg. In my experience, having an English degree means continually learning about new subjects and critically thinking about the issues that stem from the original topic. By being open to learning about new subjects, I was more successful at writing and communicating the needs of those I was writing about. With an understanding of who and what I was writing about I could make my points stronger and write more confidently about what needs to be done. Also, on a more superficial note, learning about these new subjects made the job more fun. It would have been easier to simply add in the statistics provided to me, but taking the time to actually go out and learn about a subject and talk to people or observe people who have a vested interest in what I was writing about added depth to the topic.

On another note, much of my internship revolved around posting on social media. This means that I needed to find pictures or videos to post, especially for Instagram. As CASA Berks is a relatively new nonprofit there were not a lot of pictures and even fewer videos for me to use. I had to find other sources of media. I mainly used the National CASA Association’s pictures and videos, but I also used the website called Creative Commons, which I heard about in an Education class. This website allows users to search for pictures and videos that are free from copyright and. therefore, most people are able to use them freely. As an English major I learned more about written plagiarism instead of copyright laws, but in a professional position I had to make sure that all of my posts and work follow the laws.

Another subject that I did not think of much in my English classes but made an appearance in my internship is statistics. While misrepresenting statistics usually has less dire causes than misrepresenting who owns a picture or who wrote a quote, to be a legitimate source of information I have found that it is good to understand at least a little bit of statistics to understand potential biases and how statistics can be misleading. Alternatively, and I was not at a level to do this, some marketing campaigns may use the statistics that best represent the product instead of the statistics that are the most clear.

This is part of why I think English and writing is so interesting as a field to be in. When one is writing there is almost always a bias. The writer is trying to convey an idea as they see it. There are some exceptions, journalism being the most commonly perceived bias-free writing, but even in journalism one can find bias in the word choices used or the pictures that go with the article. I am not the only intern to work for a CASA organization. There are interns all over the country who have the same goals and who are working with the same groups of people that I did.  We all learned, in a general sense, the same type of information, but we all made different decisions of what to post or what to include in a newsletter based on our biases of what we think is important and what we think our audience will find important.

By taking a job that requires you to write, you have an obligation to continue learning about all matter of subjects, but you can also have the freedom to express your opinions on these subjects and educate other people. As a source of information, whether the medium is a novel, an advertisement, a news article, a blog, or a social media post, you can influence people. I did not truly realize this until I was in a situation where I did feel that I could make a difference in children’s lives. You have a power, use it wisely!

Helen Reinbrecht

Break the Chain: On Screen/In Person

On September 27th, the popular On Screen/In Person series is back for a third season, starting with Break the Chain, produced and directed by Laura E. Swanson and Kirk Mason.  Break the Chain is an award-winning feature-length documentary film that highlights the growing child sex and labor trafficking industries through first-hand accounts of survivors and interviews with those working to raise awareness and create solutions.

Break the Chain Official [Trailer] HD – Laura Swanson

No Description

The evening at the Ware Center will begin with a pre-film panel at 6:15pm, including Dr. Karen Rice, Chairperson of the School of Social work at MU; Ms. Pam Pautz, Executive Director of the North Star Initiative; Sarah Fritz, Community Outreach Coordinator for the Lancaster County District Attorney’s Office on behalf of The Campaign Against the Sexual Exploitation of Children (CASE); and Ms. Elizabeth Bell, Awareness Representative from She’s Somebody’s Daughter. The film will begin at 7pm, ending with a Q&A session led by director Laura Swanson.

Produced and Directed by Michigan documentary filmmakers, Laura E. Swanson and Kirk Mason, “Break the Chain” is an award-winning feature-length documentary film that addresses the often hidden-in-plain-sight issue of Human Trafficking within Michigan communities and the United States. The film chronicles two survivors of Human Trafficking – providing a detailed look at how trafficking goes unnoticed within our backyards. Kwami, a child survivor of Labor Trafficking, was enslaved for nearly five years with three other children in Ypsilanti, Michigan before anyone noticed. Debbie, a survivor of Sex Trafficking, takes us through her experience of being sold for sex around the Detroit-area between the ages of 13 and 18. – artsmu.com

For more information, visit the Ware Center page. For free student tickets, contact Christine FilipponeImage Credit

Free State College: PA Student Power Distributes Pledges Supporting the PA Promise

Jordan Traut is a Junior at MU studying English, concentrating on Comparative Literature. She is working with the PA Student Power Fellowship this semester. Please consider signing the PA Student Power Pledge at the end of the post.

PA Student Power is a social justice activist organization which promotes paid fellowships on campuses across Pennsylvania each semester. This includes sponsoring students at Millersville University.

This semester, PA Power and their fall 2018 fellow, Jordan Traut, are turning a spotlight on free college tuition legislation introduced to both the state House and Senate. House Bill 2444 and Senate Bill 1111, collectively called the PA Promise, aim to make tuition free at PASSHE universities and community colleges.

The PA Promise, if passed, would cover traditional 4-year college tuition expenses and fees for recently graduated high school students if their family’s annual income is less than $110,000. Room and board at any state school or community college would also be covered for families earning $48,000 or less. More information on the bipartisan bill is outlined at papromise.org.

In an effort to garner support for the PA Promise legislation, the PA Student Power organization is distributing voter pledges to Millersville students who support affordable college and other pro-student causes.

To sign a pledge to vote for candidates who support PA Student Power’s College for All initiative, click the link: https://goo.gl/forms/QnqO9KZallfIPryf1.

For a paper copy of the pledge or to receive more information about PA Student Power fellowship opportunities, contact Jordan Traut at jetraut@millersville.edu.

Student Profile: Maria Rovito

Maria Rovito is a grad student here at MU and works as the head graduate assistant. A few of her poems were recently published on a website called Ex-Ex Lit and in the magazine Brave New World. 

I am an MA student in English interested in American literature and disability studies. I have been a student at Millersville since 2012 and I plan on graduating in May 2019. After that, I hope to complete my PhD and find a job somewhere as either a literature/disability studies/medical humanities professor, or as an editor or publisher. I have also been a graduate assistant to the English department since 2017, and this year I was fortunate enough to become the head graduate assistant. It’s a lot of work but I enjoy working with faculty and students in class and for research projects.

Being a grad student is almost a completely different experience from being an undergrad—not only do you have to complete assigned readings, you usually have to do extra work in order to supplement the readings you are assigned. For example, most of what I have learned about disability studies has been a product of my own independent research: meaning I incorporate this knowledge into my classes, but I haven’t directly learned about it through my coursework. Luckily, Dr. Emily Baldys was hired this year, and I now have a mentor who researches and teaches critical disability studies and the theoretical implications of medicine and medical knowledge. It’s a growing field, but hopefully one day I will get hired and use what I have learned in an academic setting.

My poetry is considered conceptual or cyberpoetic—meaning that I work more as an information processor rather than a traditional “author.” I was a fan of conceptual and post-language poetry before taking Dr. Halden-Sullivan’s postmodern American poetry class, particularly authors such as Matthew McIntosh and Claudia Rankine. I find the Internet to be a fascinating place for the sheer amount of information one is able to find, and this is reflected in my poetry. Who is responsible for this information? Why do we have access to certain things, and others are blocked? I believe the Internet and technology is destroying what we deem to be classic “literature,” as we are writing less for humans and more for cyborgs, robots, and aliens—beings that are considered post-human and postmodern.

I particularly enjoy Kenneth Goldsmith’s concept of “uncreative writing”—meaning a process of writing where nothing is original, and everything is taken from an outside source. Some of my poetry is taken from medical documents, such as the DSM, or from random places on the Internet: government websites, chatrooms on Reddit, or I look at the source code for websites and transform it into code poetry. I find that the author as a processor objectively looks at this information and copies it directly into their poetry—there is no subjective, emotional involvement in conceptual poetry. I have read a thousand poems about grandma’s death or someone’s love life; we don’t need any more. Not to say these emotions aren’t valid; however, I am not interested in universal human experiences.

I submitted three of my poems to Ex-Ex-Lit, and the editor contacted me and said they wanted to use one of my poems in a magazine called Brave New World.

Right now I am more focused on getting my academic work published in research journals, rather than getting my creative work out there. I wrote over a hundred poems for Dr. Halden-Sullivan’s class, and I think I have years of content for submissions to magazines. I’m not sure how helpful getting creative work published is for literature and critical theory academics. I think the more diverse my skills are, the better chance I have of landing a solid academic job. I submit abstracts to as many conferences and journals as I can in the hopes that my research is making a positive impact on the discipline. I don’t think I’m the future Foucault or Derrida, but I do think my work is challenging traditional notions of what we call “literature” and all its implications.

Maria Rovito

Poetic Freshman Orientation

This year at freshman orientation, Dr. Pfannenstiel and a group of volunteers designed a game using One Book One Campus to help students experience reading in a new way. Skyler Gibbon, a senior, reflected on what she saw and experienced as a part of orientation. 

I have a confession to make. When I started out as a freshman social work major at Millersville University in Fall 2014, I did not go to about 90% of freshman orientation. Sadly, I snobbishly dismissed it. At that time, I never would have thought that as a senior in 2019, I would actively choose to be present and choose to be engaged at freshman orientation. And let me tell you, going this year as a volunteer made me wish that I had attended my own orientation into this spirited, creative, and innovative academic community. Though I cannot describe freshman orientation as a freshman, I can describe it now as a senior volunteer. I was energized not only by the number of the freshman who are joining us at MU this year, but by their creativity, confidence, empowerment, and thoughtfulness through blackout poetry.

The novel “All American Boys” by Jason Reynolds and Bryan Kiely is our current One Book, One Campus selection. To facilitate meaningful conversations about race among students on campus, the One Book organizers and One Book volunteers used excerpts from “All American Boys.” Blackout poetry is simple, but still a profound art. Basically, students had to cross off what they didn’t want in the text, leaving what they wanted to keep to form their blackout poem.

It is common for people to build walls between themselves and the things that help us grow or challenge us. Poetry is one of those things. I think many people often believe that it is something innate. Or that is for more contemplative types. Or for monks that live on mountain tops. Or for 1800s’ transcendentalists who live near ponds. Or, as Dr Archibald has argued, for people who have had “a fairy land on their head to gift them.” Through blackout poetry, freshman students discovered that poetry can be created from what already exists rather than being completely manifested. Sure, there were a few students who still felt too discouraged to give a thoughtful attempt. However, almost everyone left appreciating the language that can emerge out of themselves through poetry. It surprised them. Many eyes lit up with the discovery of the profundity that was woven from the fabrics of their own mind and the words of “All American Boys.” They saw how poetry is freeing rather than confining. They saw how poetry can give the sense of a fierce and rebellious act through potentially using a marker to cross out lines in an old, worn library book. They have the words before them. They just had to choose which ones to use. And there is something so exciting and powerful in that.

Welcome to MU, new innovators/rebels

-Skyler Gibbon

Internship Profile: Hadassah Stoltzfus

Hadassah Stoltzfus interned with Empower Hope, an organization that is breaking the cycle of poverty & creating a new path of purpose by training indigenous leaders to empower vulnerable children.

“So you’re going to teach?” As every English major knows, a ready response to this question is a necessity. While teaching is a worthwhile and impactful profession, I could not see myself at the head of a classroom, but my internship this past summer with Empower Hope was an encouragement that I have other options to use my English degree.

I first saw the posting for a “Content/Creative Writer Intern” on ELCM’s website. I was unfamiliar with Empower Hope, so I read extensively on their website, growing increasingly excited about the work they were doing in Kenya. With sustainability in mind, the organization, though still in the infancy stages, had designed a mentorship model to equip local leaders to train and educate the next generation.

Poverty tends to be cyclical. Those that are born into families living on one to two dollars per day rarely find the tools to start a new life, and so the pattern of barely subsisting continues. In response, Empower Hope provides education and business training using local leaders to implement the projects so that communities can be transformed from the inside out. Where foreign aid has failed to remedy the problem of poverty, Empower Hope sees an opportunity to fix the root of the issue, and it starts with seeing individuals for their inherent worth. Empower Hope calls it “giving a face to the invisible.”

During my internship, I wrote a variety of content, most of which was marketing related, such as radio ads, presentations, promo scripts, and letters requesting sponsorship. I got a window into the workings of a not-yet-established non-profit which had its challenges, namely a lack of structure. However, the longer I worked with Empower Hope, the more I understood their goals and how they spoke, which helped me to complete writing projects with limited supervision.

An upside of working in a short-staffed office was the chance to do meaningful work. The staff treated me as an expert in my field and took my opinion seriously despite my being only an intern, an experience that would probably have been different had I been at an established, fully-staffed organization.

Empower Hope excels in recognizing individuals’ strengths and putting them to use. A highlight was creating illustrations for a kids’ booklet on poverty that they were creating to hand out at events. Despite being hired to write, I got to change hats for a week to work in the artistic realm.

Overall, the experience was a good window into the daily life of non-profit work. My internship presented me with alternative avenues to use English, and it was exciting to know that I was indirectly contributing to the work of bringing hope to people in poverty.

-Hadassah Stoltzfus